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GEORGE HOULE, Professor of Music at Stanford University, is author of Meter and Music: 1600¿1800. He has produced a modern edition of Le Ballet des F¿eux: Beauchamp¿s Music for Moli¿¿s Comedy and of Doulce memoire, the latter containing twenty-four versions of the chanson.
List of contents
Introduction
Structure of the Missa cuiusvis toni
Emotional Connotations of the Modes
Performance of the Missa cuiusvis toni
In the Phrygian Mode
In the Mixolydian Mode
In the Lydian Mode
In the Dorian Mode
The Missa cuiusvis toni in the Phyrgian Mode
Kyrie
Gloria
Credo
Sanctus
Agnus dei
The Missa cuiusvis toni in the Mixolydian Mode
Kyrie
Gloria
Credo
Sanctus
Agnus dei
The Missa cuiusvis toni in the Lydian Mode
Kyrie
Gloria
Credo
Sanctus
Agnus dei
The Missa cuiusvis toni in the Dorian Mode
Kyrie
Gloria
Credo
Sanctus
Agnus dei
About the author
GEORGE HOULE, Professor of Music at Stanford University, is author of Meter and Music: 1600¿1800. He has produced a modern edition of Le Ballet des Fâcheux: Beauchamp's Music for Molière's Comedy and of Doulce memoire, the latter containing twenty-four versions of the chanson.
Summary
Ockeghem's Missa cuiusvis toni (Mass in any mode) has fascinated musicians, historians, and theorists since the fifteenth century. This comprehensive edition presents the singers' parts (SATB) in mensural notation, but also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes.
