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This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective, but also examine how mathematics enriched aesthetic theory and the human mind.
List of contents
1. Introduction
Ingrid Alexander-Skipnes
Part I: The Mathematical Mind and the Search for Beauty
2. Renaissance Aesthetics and Mathematics
John Hendrix
3. Design Method and Mathematics in Francesco di Giorgio’s Trattati
Angeliki Pollali
4. Mathematical and Proportion Theories in the Work of Leonardo da Vinci and Contemporary Artist/Engineers at the Turn of the Sixteenth Century
Matthew Landrus
Part II: Artists as Mathematicians
5. Durer’s Underweysung der Messung and the Geometric Construction of Alphabets
Rangsook Yoon
6. Circling the Square: The Meaningful Use of Φ and Π in the Paintings of Piero della Francesca
Perry Brooks
Part III: Euclid and Artistic Accomplishment
7. The Point and Its Line: An Early Modern History of Movement
Caroline O. Fowler
8. Between the Golden Ratio and a Semiperfect Solid: Fra Luca Pacioli and the Portrayal of Mathematical Humanism
Renzo Baldasso and John Logan
9. Mathematical Imagination in Raphael’s School of Athens
Ingrid Alexander-Skipnes
About the author
Ingrid Alexander-Skipnes is Lecturer in Art History at the Kunstgeschictliches Institut at Albert-Ludwigs-Universität Freiburg, Germany. She is an Associate Professor Emerita, University of Stavanger, Norway.
Summary
This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective, but also examine how mathematics enriched aesthetic theory and the human mind.
Additional text
"The book represents well the different ways in which art and mathematics became closely intertwined during the Renaissance, and how one discipline became an inspiration for the other. It builds on previous work by Martin Kemp, Judith Field and Alexander Marr and deserves a place in every collection interested in the relations of art and mathematics."
--British Journal for the History of Mathematics
"This book is an important scholarly contribution to the history of early modern art and its relation to science and mathematics."
--The British Journal for the History of Science
