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Zusatztext May’s research area (comedy on stage and screen) would be of major interest to students and scholars of performance, film, and humour. Its interdisciplinary scope brings into fruitful dialogue philosophy, on the one hand, and theatre, film and contemporary performance, on the other. Informationen zum Autor Shaun May is a Lecturer in Drama and Theatre at the University of Kent, UK. Prior to joining the faculty at Kent he was an AHRC Postdoctoral Research Associate in the Philosophy department of the University of Liverpool and he taught at the Royal Central School of Speech & Drama and the Royal College of Art. He is co-convenor of the London Comedy Forum, a network of researchers with an interest in comedy and humour, and he has worked as a theatre director, producer and puppeteer.With case studies drawn from theatre, film, television, literature and stand-up comedy, Shaun May's book offers a witty but erudite exploration of the phenomenon of comedy using Heideggerean phenomenology. Zusammenfassung As far as we know, only human beings have a sense of humour – although chimps might laugh when tickled, and dogs respond similarly in play, Seth McFarlane’s fan-base is comprised exclusively of humans. Whilst animals and robots might feature as prominent characters in our favourite comic movies, shows and stand-up routines, we have no reason to suspect that their real-life brethren get the joke. Drawing on the philosophy of Martin Heidegger, Shaun May attempts to address this issue – suggesting that there is something distinctive about human beings which grounds our ability to make and comprehend jokes. Guiding the reader through a range of examples, including the films of Charlie Chaplin, the stand-up of Francesca Martinez, the TV show Family Guy and Samuel Beckett’s Endgame, he demonstrates that in order to get the joke you have to ‘be there’. Inhaltsverzeichnis Introduction 1. You Have to Be There 2. Phenomenology of Object Dysfunction 3. Phenomenology of Object Anthropomorphism 4. Phenomenology of Animal Anthropomorphism 5. Phenomenology of Physical ImpairmentConclusionEndnotesIndex...
