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Informationen zum Autor Tamara Roberts Assistant Professor of Music at University of California, Berkeley, where she teaches courses on popular music and politics. Other publications include Yellow Power, Yellow Soul: The Radical Art of Fred Ho (co-edited with Roger Buckley) and articles and essays in multiple journals and anthologies. Klappentext Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation. Zusammenfassung Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation. Inhaltsverzeichnis Introduction: Echoes of the Future; Chapter 1: This Strange Amalgamation: Afro Asian Roots; Chapter 2: Becoming Afro Asian: Yoko Noge's Jazz Me Blues and Japanesque; Chapter 3: Articulating Interracial Space: Funkadesi's One Family; Chapter 4: Sonic Identity Politics: Fred Ho's Afro Asian Music Ensemble; Chapter 5: Toward An Afro Asian Theory of Critique: The Addictive Case; Conclusion Reverberations; Notes; References; Index
