William Makepeace Thackeray Library - Volume I - Early Fiction and Journalism

List of contents

Introduction Richard Pearson; ‘Half-a-Crown’s Worth of Cheap Knowledge’, Fraser’s Magazine, March 1838; ‘Horae Catnachianae’, Fraser’s Magazine, April 1839; ‘Catherine: A Story’, Works, vol. 20 and Fraser’s Magazine, February 1840; ‘The Ravenswing’, Works, vol. 20; ‘May Gambols; or, Titmarsh in the Picture Galleries’, Works, vol. 25; ‘The Fat Contributor Papers’, Works, vol. 26; ‘The Diary of C. Jeames de la Pluche’, Works, vol. 15

About the author

Richard Pearson

Summary

First published in 1996, The William Makepeace Thackeray Library is a collection of works written by and about the novelist. This first volume contains extracts of William Makepeace Thackeray’s early fiction and journalism in the 1830s and 1840s. In his early career, Thackeray worked as an editor, sub-editor, writer, reviewer, foreign journalist, illustrator, versifier, and hack reporter, and by 1847 had managed to maintain an unbroken and multi-faceted literary output through magazines, journals and newspapers for fourteen years. With an introduction by Richard Pearson, this book reveals some of Thackeray’s early and lesser-known work.
This book will be of interest to those studying Thackeray and nineteenth-century literature.

Product details

• Authors: Richard Pearson
• Assisted by: Richard Pearson (Editor), Pearson Richard (Editor)
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Hardback
• Released: 23.06.2016
• EAN: 9781138699410
• ISBN: 978-1-138-69941-0
• No. of pages: 446
• Series: Routledge Revivals: The William Makepeace Thackeray Library; Routledge Revivals: The William Makepeace Thackeray Library
• Subjects: Humanities, art, music > Linguistics and literary studies > English linguistics / literary studies; English, LITERARY CRITICISM / Modern / 19th Century, Literary studies: c 1800 to c 1900, Literary studies: fiction, novelists & prose writers, Literary studies: fiction, novelists and prose writers, LITERARY CRITICISM / Novel as Form