Read more
Zusatztext Rosenbergs work with video installations and his writings on dance for the camera have radicalized the way audiences think about dance and film. With this compilation, he calls for exploring space and medium with the body as center. Informationen zum Autor Douglas Rosenberg is Professor of Art at the University of Wisconsin - Madison and an award winning filmmaker whose work for the screen has been exhibited internationally for over 25 years. He is a theorist, writer and advocate for screendance who has organized numerous symposia and conferences on the subject. He has directed and curated the International Festival of Screendance at the American Dance festival for 20 years. Klappentext The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts. Zusammenfassung The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts. Inhaltsverzeichnis Preface Douglas Rosenberg Introduction Douglas Rosenberg HISTORIES Chapter 1: Dance with Camera: A Curator's POV Jenelle Porter Chapter 2: Loïe Fuller's Serpentines and Poetics of Self-abnegation in the Era of Electrotechnics Izabella Pruska-Oldenhof Chapter 3: Selective Histories: moving image from the late nineteenth century to the early twenty-first Chirstinn Whyte Chapter 4: Moto-bio-cine-event: Construction of Expressive Movement in Soviet Avant-garde Film Ana Olenina Chapter 5: Brazilian Videodance: A Possible Mapping Leonel Brum Translated by Cristiane Bouger Chapter 6: Sensory Screens, Digitized Desires: Dancing Rasa from Bombay Cinema to Reality TV Pallabi Chakravorty Chapter 7: Exposed to Time: Cross-Histories of Human Motion Visualization from Chrono- to Dynamophotography Nicolás Salazar-Sutil and Sebastián Melo Chapter 8: In the Blink of an Eye: Norman McLaren Between Dance and Animation Alanna Thain Chapter 9: An Interdisciplinary Reading of the Film Entr'Acte Claudia Kappenberg Chapter 10: Light, Shadow, Screendance: Catherine Galasso's Bring on the Lumière! Selby Wynn Schwartz Chapter 11: The Best Dance Is the Way People Die in Movies (or Gestures Toward a New Definition of "Screendance") Roger Copeland THEORIES Chapter 12: Kinesthetic Empathy: Conditions for Viewing Karen Wood Chapter 13: Virtualizing Dance Kim Vincs Chapter 14: Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance Jürgen Simpson Chapter 15: Screendance as Enactment in Maya Deren's At Land: Enactive, Embodied, and Neurocinematic Considerations Pia Tikka and Mauri Kaipainen Chapter 16: Corporeal Creations in Experimental Screendance: Resisting Socio-political Constructions of the Body Sophie Walon Chapter 17: Dancing in the City: Screens, Landscape, and Civic Phenomenology in the Screendance of Terrance Houle Jessica Jacobson-Konefall Chapter 18: Privileging Embodied Experience in Feminist Screendance? Frances Hubbard Chapter 19: Extending the Discourse of Screendance: Dance and New Media Andrea Davidson Chapter 20: Gadgets, Bodies, and Screens: Dance in Advertisements for New Technologies Melissa Blanco Borelli Chapter 21: Empire, Vision, and the Dancing Touch: Gendered Moving Arts on Postcolonial Indian Screens Esha Niyogi De Chapter 22: Behind the S...
