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Zusatztext Here she makes a humane and eloquent case for Langland's urgent concern with the ethical imperatives placed on human beings to cooperate with God's loving acts of creation by helping to distribute his material and spiritual gifts among the needy, both Christian and non-Christian. She has thus written a book with some encyclopedic tendencies of its own, one that nevertheless grows gradually on a cooperative reader. Informationen zum Autor Rebecca Davis is Assistant Professor of English at the University of California, Irvine. She received her PhD from the University of Notre Dame in 2006. Her work has appeared in the Chaucer Review, Yearbook of Langland Studies, postmedieval, and Studies in the Age of Chaucer. She is currently co-editor of the Yearbook of Langland Studies. Klappentext Rebecca Davis explores the relationship of divine creativity, poetry, and ethics in William Langland's fourteenth-century dream vision. By contextualizing Langland's poetics of kynde (or nature) within contemporary literary, philosophical, legal, and theological discourses, she opens up many of the poem's most perplexing interpretative problems. Zusammenfassung Piers Plowman and the Books of Nature explores the relationship of divine creativity, poetry, and ethics in William Langland's fourteenth-century dream vision. These concerns converge in the poem's rich vocabulary of kynde, the familiar Middle English word for nature, broadly construed. But in a remarkable coinage, Langland also uses kynde to name nature's creator, who appears as a character in Piers Plowman. The stakes of this representation could not be greater: by depicting God as Kynde, that is, under the guise of creation itself, Langland explores the capacity of nature and of language to bear the plenitude of the divine. In doing so, he advances a daring claim for the spiritual value of literary art, including his own searching form of theological poetry. This claim challenges recent critical attention to the poem's discourses of disability and failure and reveals the poem's place in a long and diverse tradition of medieval humanism that originates in the twelfth century and, indeed, points forward to celebrations of nature and natural capacity in later periods. By contextualizing Langland's poetics of kynde within contemporary literary, philosophical, legal, and theological discourses, Rebecca Davis offers a new literary history for Piers Plowman that opens up many of the poem's most perplexing interpretative problems. Inhaltsverzeichnis Preface: The Books of Nature Introduction: The Craft of Kynde 1: From Cosmos to Microcosm: Nature, Allegory, Humanism 2: 'Fader and formour': Langland's Creator Kynde 3: Diverse si¿tes: Encyclopedism and Interpretation in Piers Plowman 4: Beyond Measure: Langland's Law of Kynde 5: 'Fullynge' Kynde: Nature, Salvation, and Human Action in Piers Plowman Epilogue: Kynde courtesy Bibliography ...
