Read more
"Intellectually rigorous, extremely well written, and solidly arguing against the dated French (and European) conceptualizations of black female sexuality. What a refreshing and much needed addition!"--Marjorie Attignol Salvodon, Connecticut College
List of contents
List of Illustrations ix
Acknowledgments xi
Introduction: Theorizing Black Venus 1
Writing Sex, Writing DIfference: Creating the Master Text on the Hottentot Venus 16
Representing Sarah- Same Difference or No Difference at All? La Vénus hottentote, ou haine au Françaises 32
"The Other Woman": Reading a Body of Difference in Balzac's La Fille aux Yeux d'or 42
Black Blood, White Masks, and Négresse Sexuality in de Pon's Ourika, l'Africaine 52
Black Is the Difference: Identity, Colonialism, and Fetishism in La Belle Dorothée 62
Desirous and Dangerous Imaginations:: The Black Female Body and the Courtesan in Zola's Thérèse Raquin 71
Can a White Man Love a Black Woman? Perversions of Love beyond the Plae in Maupassant's "Boitelle" 86
Bamboulas, Bacchanals, and Dark Veils over Whtie Memories in Loti's Le Roman d'un spahi 91
Cinematic Venus in the Africanist Orient 105
Epilogue 119
Appendix: The Hottentot Venus, or Hatred of Frenchwomen 127
Notes 165
Works Cited 177
Index 185
About the author
T. Denean Sharpley-Whiting is Associate Professor of French, Film Studies, Comparative Literature, and African American Studies at Purdue University. She is the author of Frantz Fanon: Conflicts and Feminisms and coeditor of Spoils of War: Women of Color, Cultures, and Revolutions and Fanon: A Critical Reader.
Summary
A study of the representations of black women in the literary, cultural, and scientific imagination of 19th-century France. Employing psychoanalysis, feminist film theory, and the race theory articulated in the works of Frantz Fanon and Toni Morrison, it argues that black women historically invoked both desire and primal fear in French men.
