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In Virginia Woolf's life, writing was the activity that mattered more than anything else: she would not have survived without it. She was her own publisher and had an unusual degree of control over her own work. This enabled her to pursue a career of extraordinary experimentation and inventiveness. It has never been sufficiently stressed that every one of her books was quite different in technique from every other. John Mepham argues that she never settled on one way of writing because she never settled on one view of life. Her purposes as a writer constantly changed. Mepham tells the story of her career as a series of choices and experiments, always grounded in specific historical contexts.
List of contents
List of Abbreviations - List of Tables - Acknowledgements - Introduction: The Will to Write - 1882-1903: Virginia Stephen Becomes a Writer - 1904-09: Journalist - 1910-15: Moratorium and Crisis - 1916-21: A Press of One's Own - 1922-24: Her Own Voice - 1925-27: Modernist Fictions - 1928-31: Androgyny and the End of the Novel - 1932-37: The Outsider - 1938-40: Life-Writing - 1941: The Illusion Fails - Conclusion - Notes - Index
Summary
In Virginia Woolf's life, writing was the activity that mattered more than anything else: she would not have survived without it. John Mepham argues that she never settled on one way of writing because she never settled on one view of life.
Report
'Mepham has produced a book likely to help any reader towards a more perceptive and rewarding reading of Woolf' - Bernard Harrison, Times Literary Supplement
'...highly informative and insightful...' - Jeanne Dubino, Virginia Woolf Miscellany
