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Informationen zum Autor Cynthia J. Miller teaches at Emerson College. She is the editor of Too Bold for the Box Office: The Mockumentary from Big Screen to Small (2012) and coeditor of Steaming into a Victorian Future: A Steampunk Anthology (2012) and Border Visions: Identity and Diaspora in Film (2013), all published by Scarecrow Press. She is also film review editor for the journal Film & History and editor for Rowman & Littlefield's Film and History series.A. Bowdoin Van Riper is a historian and the author of A Biographical Encyclopedia of Scientists and Inventors in American Film and Television (Scarecrow, 2011).Miller and Van Riper are editors of Undead in the West (Scarecrow, 2012), Undead in the West II (Scarecrow, 2013), International Westerns (Scarecrow, 2013) and Horrors of War: The Undead on the Battlefield (Rowman & Littlefield, 2015). Klappentext Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale's Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers.In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire's Kiss, and Zombieland.Contributors in this volume consider a wide array of comedic monster films-from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture....
