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Informationen zum Autor Jennifer L. Creech is Associate Professor of German at the University of Rochester, where she is Affiliate Faculty in Film and Media Studies, and Associate Faculty at the Susan B. Anthony Institute for Gender and Women's Studies. She is editor (with Thomas O. Haakenson) of Spectacle. Her research and teaching interests include late 20th-century German literature, film, and culture; cinema studies; and Marxist and feminist theories. Klappentext Jennifer L. Creech is Associate Professor of German at the University of Rochester, where she is Affiliate Faculty in Film and Media Studies, and Associate Faculty at the Susan B. Anthony Institute for Gender and Women¿s Studies. She is editor (with Thomas O. Haakenson) of Spectacle. Her research and teaching interests include late 20th-century German literature, film, and culture; cinema studies; and Marxist and feminist theories. Inhaltsverzeichnis Preface Acknowledgments Note on Translation Introduction: Rescuing History from the Ruins 1. Happily Ever After? The Emancipatory Politics of Female Desire in Lot's Wife 2. The Lonely Woman? (Re)production and Female Desire in The Bicycle and On Probation 3. Pleasure in Seeing Ourselves? All My Girls 4. Real Women: Goodbye to Winter and the Documentary Women's Film Conclusion: After the Fall DEFA Filmography Bibliography Index
