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Informationen zum Autor William Faulkner was born in New Albany, Mississippi, on September 25, 1897. He published his first book, The Marble Faun (a collection of poems), in 1924, and his first novel, Soldier’s Pay, in 1926. In 1949, having written such works as Absalom, Absalom!, As I Lay Dying, Light in August, and The Sound and the Fury, Faulkner was awarded the Nobel Prize for Literature. He also received the Pulitzer Prize for two other novels, A Fable (1954) and The Reivers (1962). From 1957 to 1958 he was Writer-in-Residence at the University of Virginia. He died on July 6, 1962, in Byhalia, Mississippi. George Garrett spent nearly twenty years writing, assembling, researching, changing forms of the work that has triumphantly come to be Death of the Fox . He is the author of previous novels, poetry, and short stories. His work in all these forms has evoked serious and favorable critical reception. Klappentext From the Modern Library's new set of beautifully repackaged hardcover classics by William Faulkner-also available are As I Lay Dying, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short StoriesHere, published in a single volume as he always hoped they would be, are the three novels that comprise William Faulkner's famous Snopes trilogy, a saga that stands as perhaps the greatest feat of this celebrated author's incomparable imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called "one of the richest novels in the Faulkner canon." It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman's Bend-and claims the voluptuous Eula Varner as his bride. The Town, the central novel, records Flem's ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. "For all his concerns with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." BOOK ONE FLEM CHAPTER ONE Frenchman’s Bend was a section of rich river-bottom country lying twenty miles southeast of Jefferson. Hill-cradled and remote, definite yet without boundaries, straddling into two counties and owning allegiance to neither, it had been the original grant and site of a tremendous pre-Civil War plantation, the ruins of which—the gutted shell of an enormous house with its fallen stables and slave quarters and overgrown gardens and brick terraces and promenades—were still known as the Old Frenchman’s place, although the original boundaries now existed only on old faded records in the Chancery Clerk’s office in the county courthouse in Jefferson, and even some of the once-fertile fields had long since reverted to the cane-and-cypress jungle from which their first master had hewed them. He had quite possibly been a foreigner, though not necessarily French, since to the people who had come after him and had almost obliterated all trace of his sojourn, anyone speaking the tongue with a foreign flavor or whose appearance or even occupation was strange, would have been a Frenchman regardless of what nationality he might affirm, just as to their more urban coevals (if he had elected to settle in Jefferson itself, say) he would have been called a Dutchman. But now nobody knew what he had actually been, not even Will Varner, who was sixty years old and now owned a good deal of his original grant, including the site of his ruined mansion. Because he was gone now, the foreigner, the Frenchman, with his family and his slaves and his magnificence. His dream, his broad acres were parcelled out now into s...
