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Zusatztext " The Marriage Plot takes up modern Jewish literature across language (Hebrew, Yiddish, English) and genre (novel, short story, theater, film). On this broad canvas, Seidman shows not just how poetry transmutes love but how love first changes Jewish life and culture—and how Jewish cultural productions then change American and European ideas of love." Informationen zum Autor Naomi Seidman is Koret Professor of Jewish Culture at the Graduate Theological Union in Berkeley, and a 2016 Guggenheim Fellow. She is the author of Faithful Renderings: Jewish-Christian Difference and the Politics of Translation (2006) and A Marriage Made in Heaven: The Sexual Politics of Hebrew and Yiddish (1997). Klappentext For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial. In The Marriage Plot , Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community, and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition, finding pleasures in matchmaking, intergenerational ties, and sexual segregation. In the modern Jewish voices of Sigmund Freud, Erica Jong, Philip Roth, and Tony Kushner, the Jewish heretical challenge to the European romantic sublime has become the central sexual ideology of our time. Zusammenfassung For nineteenth-century Eastern European Jews! modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions! the Jewish embrace of "the love religion" was always partial. In The Marriage Plot ! Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education! highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community! and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition! finding pleasures in matchmaking! intergenerational ties! and sexual segregation. In the modern Jewish voices of Sigmund Freud! Erica Jong! Philip Roth! and Tony Kushner! the Jewish heretical challenge to the European romantic sublime has become the central sexual ideology of our time. Inhaltsverzeichnis Introduction: Plotting Jewish Marriage 1. A Sentimental Education 2. Matchmaking and Modernity 3. Pride and Pedigree 4. The Choreography of Courtship 5. In-laws and Outlaws 6. Sex and Segregation Afterword: After Marriage ...
