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“Bill Nichols, our leading authority on documentary film, says he is ‘taking liberties’ in this rich collection of eighteen essays from over four decades of viewing and thinking about nonfiction films. He speaks truer than he lets on, for this book is also about liberty—freedom for artists, thinkers, and audiences to engage with the world, with the political utopias that neither Nichols nor the films he writes about will let us lose sight of.” —Thomas Waugh, Concordia University, author of The Conscience of Cinema: The Films of Joris Ivens, 1926–1989
“The range of content and theoretical ideas in Speaking Truths with Film is simply outstanding, shaking us to consider documentary—both its practices and its epistemologies—anew. What impresses the reader is the astounding depth and staggering breadth of films, ideas, and debates probed in these compelling, beautifully rendered essays that simultaneously unsettle and clarify.”—Patricia R. Zimmermann, coauthor of Thinking through Digital Media: Transnational Environments and Locative Places
"Bill Nichols is uniquely equipped to trace the genealogy of documentary studies—after all, he pioneered the field. Speaking Truths With Film is proof that he has yet to quit; filled as it is with his half-century chronicle of developments in both filmmaking and scholarship, it demands to not only be read, but also put to use."—B. Ruby Rich, Editor of Film Quarterly
List of contents
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
PART I. DOCUMENTARY MEETS THE NEIGHBORS: THE AVANT-GARDE AND FICTION FILM
PART II. THE AUDIO IN AUDIOVISUAL
PART III. BEYOND “JUST THE FACTS”: EVIDENCE, INTERPRETATION, AND SOCIAL CONTEXT
PART IV. ETHICS AND IRONY IN DOCUMENTARY
PART V. POLITICS AND THE DOCUMENTARY FILM
NOTES
INDEX
About the author
Bill Nichols is a leading authority on documentary film and the author or editor of a dozen books. His Introduction to Documentary is the standard text in this area. He lectures widely and consults often with documentary filmmakers on their projects.
Summary
How do issues of form and content shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world we live in? This book investigates the ways documentaries strive for accuracy and truthfulness and simultaneously fabricate a form that shapes reality.
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"Nichols’s marvelous volume of essays . . . spans forty years of his contribution to contemporary film theory. It offers lucid, articulate, and illuminating studies of both general issues in documentary theory and of individual films. Readers familiar with his books will find fascinating essays here, both supplementing his published volumes and adding new perspectives on his work."
