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Informationen zum Autor Lynn A. Higgins is Edward Tuck Professor Emerita of French at Dartmouth College, where she is also affiliated with the Department of Comparative Literature and the Department of Film Studies. She is author of books on the French New Wave and the New Novel and a monograph on Bertrand Tavernier. She is editor of Alain Resnais: Interviews , published by University Press of Mississippi. T. Jefferson Kline is professor emeritus of French at Boston University. He has written five books on French cinema, film, and intertextuality in screenplay. He is editor of Agnès Varda: Interviews and coeditor of Bernardo Bertolucci: Interviews , both published by University Press of Mississippi. Klappentext Bertrand Tavernier (b. 1941) is widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s, in the wake of the New Wave. In just over forty years, he has directed twenty-two feature films in an eclectic range of genres, from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature-L'Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc prize-Tavernier has shown himself to be a public intellectual. Like his films, he is deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art. A voracious cinephile, he is immensely knowledgeable about world cinema and American film in particular. Tavernier's roots are in Lyon, the birthplace of the cinema. He founded and presides over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films.In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to "show the world to the world."It is no surprise, then, that an interview with Tavernier is a treat. Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics. At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation....
