Music and Embodied Cognition - Listening, Moving, Feeling, and Thinking

Informationen zum Autor Arnie Cox Klappentext Arnie Cox is Associate Professor of Music Theory and Aural Skills at the Oberlin College Conservatory of Music. His writings and teaching focus on the relationship between embodiment, affect, metaphor, and musical experience. He has published essays on music and gesture, the role of embodiment in music analysis, and the nature of musical subjectivities. He has been an invited speaker at numerous universities and other venues. Inhaltsverzeichnis Acknowledgments Part One: Theoretical Background Introduction 1. Mimetic Comprehension 2. Mimetic Comprehension of Music 3. Metaphor and Related Means of Reasoning Part Two: Spatial Conceptions 4. Pitch Height 5. Temporal Motion and Musical Motion 6. Perspectives on Musical Motion Part Three: Beyond Musical Space 7. Music and the External Senses 8. Musical Affect 9. Applications 10. Review and Implications Appendix I. Mimetic Subvocalization and Absolute Pitch Appendix II. Levels of Abstraction Among Metaphors Bibliography Index

Product details

• Authors: Arnie Cox
• Publisher: Indiana University Press
• Languages: English
• Product format: Hardback
• Released: 30.09.2016
• EAN: 9780253021601
• ISBN: 978-0-253-02160-1
• No. of pages: 296
• Series: Musical Meaning and Interpreta; Musical Meaning and Interpretation; Musical Meaning and Interpreta
• Subjects: Humanities, art, music > Music > Music theory; Musikwissenschaft und Musiktheorie, MUSIC / Instruction & Study / Theory, Music / Songbooks, MUSIC / Instruction & Study / Appreciation