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Informationen zum Autor Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.). R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University, where he directs the film studies program. He is the author, editor, or general editor of many books including Hollywood's Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). Klappentext Traditions in World CinemaGeneral Editors: Linda Badley and R. Barton PalmerFounding Editor: Steven Jay SchneiderThis series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition.INTERNATIONAL NOIREdited by Homer B. Pettey and R. Barton Palmer'International Noir offers unique, innovative thoughts on a mode of cinema that one would have thought had nothing new to offer up to critical thought. By moving refreshingly beyond common approaches to Noir as a quintessential American form to its broader emplacement in global contexts, the volume makes Noir vibrate with all the energy of geopolitics and confirms its importance as a fraught symptomof our modernity.'Dana Polan, Professor of Cinema Studies, New York UniversityExamines the influence of film noir on visual narrative and technique in global cinematic traditionsFollowing World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea and India.This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir.Ending with an examination of Hollywood's neo-noir recontextualisation of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.Homer B. Pettey is Associate Professor of literature and film at the University of Arizona.R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University. Inhaltsverzeichnis Acknowledgements; Notes on Contributors; List of Figures; The Noir Impulse, Homer B. Pettey; 1. British Noir, James Leach; 2. French Noir 1947-79: From Grunge-Noir to Noir-hilism, Susan Hayward; 3. French Neo-noir: an aesthetic for the Policier, Maureen Turim; 4. Early Japanese Noir, Homer B. Pettey; 5. The Gunman and the Gun: Japanese Film Noir since the late 1950s, David Desser; 6. Darker than Dark: Film Noir in its Asian Contexts, Stephen Teo; 7. Nordic Noir and Neo-Noir: The Human Criminal, Andrew Nestingen; 8. Indian Film Noir, Corey Creekmur; 9. The New Sincerity of Neo-Noir, R. Barton Palmer; 10. Post-noir: getting back to business, Mark Bould; Selected Reading Guide to International Film Noir; Selected Viewing...
