Fr. 52.50

Women and Images of Men in Cinema - Gender Construction in La Belle Et La Bete by Jean Cocteau

English · Paperback / Softback

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Informationen zum Autor Andreas Hamburger is a Professor of Psychology at the International Psychoanalytic University, Berlin, and a psychoanalyst who writes on literature, film, and psychoanalysis, among other topics. He is a member of the Munich Work Group on Film and Psychoanalysis. Klappentext Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. Zusammenfassung Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. Inhaltsverzeichnis Beauties and Beasts in Film Psychoanalysis -- Women and images of men in cinema -- Psychoanalytical film interpretation—possibilities and limitations -- Beautiful beasts—motif tradition and film psychoanalysis in Jean Cocteau’s La Belle et la Bête (F 1946) -- The Beauties -- La Belle, la Bête, et la rose -- “You can’t say no to the Beauty and the Beast …”* Or: an ending and no beautiful beast -- The Beasts -- Once upon a time—Beauty and the Beast—a surrealistic survival attempt in the year 1946? -- Coming over to the wild side: women’s yearning for beastly encounters in the course of film history

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