Women and Images of Men in Cinema - Gender Construction in La Belle Et La Bete by Jean Cocteau

Informationen zum Autor Hamburger, Andreas Klappentext Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. Zusammenfassung Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. Inhaltsverzeichnis Beauties and Beasts in Film Psychoanalysis -- Women and images of men in cinema -- Psychoanalytical film interpretation—possibilities and limitations -- Beautiful beasts—motif tradition and film psychoanalysis in Jean Cocteau’s La Belle et la Bête (F 1946) -- The Beauties -- La Belle, la Bête, et la rose -- “You can’t say no to the Beauty and the Beast …”* Or: an ending and no beautiful beast -- The Beasts -- Once upon a time—Beauty and the Beast—a surrealistic survival attempt in the year 1946? -- Coming over to the wild side: women’s yearning for beastly encounters in the course of film history

Product details

• Authors: Andreas Hamburger, Andreas (EDT) Hamburger
• Assisted by: Andreas Hamburger (Editor)
• Publisher: Stylus Publishing
• Languages: English
• Product format: Paperback / Softback
• Released: 30.11.2015
• EAN: 9781782202905
• ISBN: 978-1-78220-290-5
• No. of pages: 176
• Subjects: Humanities, art, music > Psychology > Psychoanalysis; Non-fiction book > Psychology, esoterics, spirituality, anthroposophy > Applied psychology