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Graphic Borders - Latino Comic Books Past, Present, and Future

English · Hardback

Description

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The first volume in a trailblazing series on world comics and graphic nonfiction, this book presents a comprehensive array of historical, formal, and cognitive approaches to Latino comics-an exciting popular culture space that captures the distinctive and


List of contents










  • Taking Back Control of Our Story Space: A Foreword (Frank Espinosa)
  • Latino Comic Books Past, Present, and Future—A Primer (Frederick Luis Aldama and Christopher González)
  • Part I. Alternativas
    • One. Out of Sequence: Time and Meaning in Los Bros Hernandez (Patrick L. Hamilton)
    • Two. Recreative Graphic Novel Acts in Gilbert Hernandez’s Twenty-First-Century Neo-Noirs (Frederick Luis Aldama)
    • Three. Three Decades with Gilbert and Jaime Hernandez: An Odyssey by Interview (Christopher González)
  • Part II. Cuerpo Comics
    • Four. Biographic Challenges: Wilfred Santiago’s 21: The Story of Roberto Clemente (Christopher González)
    • Five. Wrestling with Comic Genres and Genders: Luchadores as Signifiers in Sonambulo and Locas (Ellen M. Gil-Gómez)
  • Part III. Tortilla Strips
    • Six. Latino Identity and the Market: Making Sense of Cantú and Castellanos’s Baldo (Héctor Fernández L’Hoeste)
    • Seven. The Archeology of the Post-social in the Comics of Lalo Alcaraz: La Cucaracha and Migra Mouse: Political Cartoons on Immigration (Juan Poblete)
    • Eight. My Debt to Rius (Ilan Stavans)
  • Part IV. A Bird, a Plane ... Straight and Queer Super-Lats
    • Nine. The Alien Is Here to Stay: Otherness, Anti-Assimilation, and Empowerment in Latino/a Superhero Comics (Mauricio Espinoza)
    • Ten. Anya Sofía (Araña) Corazón: The Inner Webbings and Mexi-Ricanization of Spider-Girl (Isabel Millán)
    • Eleven. Revealing Secret Identities: Gay Latino Superheroes and the Necessity of Disclosure (Richard T. Rodríguez)
  • Part V. Multiverses, Admixtures, and More
    • Twelve. Everybody Wants to Rule the Multiverse: Latino Spider-Men in Marvel’s Media Empire (Kathryn M. Frank)
    • Thirteen. Mapping the Blatino Badlands and Borderlands of American Pop Culture (Adilifu Nama and Maya Haddad)
    • Fourteen. The Paradox of Miles Morales: Social Gatekeeping and the Browning of America’s Spider-Man (Brian Montes)
  • Works Cited
  • Contributors
  • Index


  • About the author










    Edited by Frederick Luis Aldama and Christopher González

    Summary

    The first volume in a trailblazing series on world comics and graphic nonfiction, this book presents a comprehensive array of historical, formal, and cognitive approaches to Latino comics—an exciting popular culture space that captures the distinctive and

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