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19th century migration from Europe was the other side of the picture from nation building and the rise of nationalism. Between 1870 and 1930, the age of mass migration, about twenty million people left Italy, a quarter of them for South America.
During this era, Italian music and Italian musicians, already present in South America since the mid-16th century, became important and outstanding actors in musical culture all over the subcontinent. They brought along with them their folkloric and popular music and dance repertoires, customs and genres, transforming and developing them in their new habitats. In the present volume, musicologists and literature scholars from both Europe and America shed light on different forms of interrelations between Italian migration and urban musical culture in Latin America, from the 16th century through the age of mass migration up until the present day, from Tarantella through Tango to Chilean Pop.
About the author
Nils Grosch, geb. 1966, studierte in Bochum und Freiburg Musikwissenschaft, Geschichte und Germanistik und promovierte mit einer Arbeit über Die Musik der Neuen Sachlichkeit. Er ist wissenschaftlicher Mitarbeiter am Deutschen Volksliedarchiv Freiburg und Mitarbeiter der Gesamtausgabe der Werke Kurt Weills. Publikationen über die Musik des 20. Jahrhunderts.
ROLF KAILUWEIT, geb. 1965, Dr. phil., Habilitation 2003 über Syntax und Semantik französischer und italienischer Gefühlsverben, derzeit Professor für Sprach- und Medienwissenschaft am Romanischen Seminar der Universität Freiburg. Arbeitsschwerpunkte u.a. Katalanisch, Korsisch, Role and Reference Grammar und Tangomedia.
