Fr. 228.00

The Hand on the Shakespearean Stage - Gesture, Touch and the Spectacle of Dismemberment

English · Hardback

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Description

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Zusatztext [An] excellent handbook. Within the joy of the pun rests the richness of Karim-Cooper’s achievement. her encyclopedic consideration of the hand and her specific attention to gesture as narration and to the complexities of touch do the work for those of us who will go on to play with the discoveries she offers ... The Hand on the Shakespearean Stage provides both the material for invention and further study and points us toward the potential of a hands-on approach to contemporary productions of the early modern works with a new understanding of gesture, touch, and the intimacy of palms. Informationen zum Autor Farah Karim-Cooper Vorwort A study of the hand and gesture by a leading theatre historian, drawing on a range of renaissance texts, paintings and practices to offer fascinating new readings of key play texts. Zusammenfassung This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare’s time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor’s body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays. Inhaltsverzeichnis Introduction Chapter One: The Idea of the Hand in Shakespeare's World Chapter Two: Manners and Beauty: The Social Hand Chapter Three: 'Lively Action': Gesture in Early Modern Performance Chapter Four: Gesture and Shakespeare's Narrative Art Chapter Five: 'Let Lips do what Hands do': Shakespeare's Sense of Touch Chapter Six: Amputation: The Spectacle of Dismemberment in Shakespeare's Theatres Epilogue -- FingersNotesIndex...

Product details

Authors Farah Karim Cooper, Farah Karim Cooper, Farah Karim-Cooper
Publisher Arden shakespeare
 
Languages English
Product format Hardback
Released 30.04.2016
 
EAN 9781474234276
ISBN 978-1-4742-3427-6
No. of pages 328
Series Arden Shakespeare
Subject Fiction > Narrative literature

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