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Zusatztext What distinguishes the work, beyond its focus on 'underappreciated' components of Hebrew poetry, is its breadth and depth of analysis, its thickness...The reader is exposed not only to new ways of understanding Hebrew poems, but to new ways of orienting and thinking about the elementary dimensions of poetry itself. The detail presented is rich and sometimes provocative. Informationen zum Autor F.W. Dobbs-Allsopp is an Associate Professor of Old Testament at Princeton Theological Seminary. Klappentext On Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout.The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies. Zusammenfassung On Biblical Poetry considers the characteristics of biblical Hebrew Poetry beyond its currently best known feature, parallelism. F.W. Dobbs-Allsopp demonstrates the many interesting and valuable interpretations that yield from a series of programmatic essays on major facets of biblical verse, careful attention to prosody, and close reading. Inhaltsverzeichnis Introduction - Biblical Poetry Beyond Parallelism Chapter One - "Verse, Properly So Called": The Line in Biblical Poetry Terminology Manuscript Evidence for the Line The "Verse Line" in Oral Poetry The Line from the Other's Perspective Internal Evidence for the Line Summary Chapter Two - The Free Rhythms of Biblical Hebrew Poetry Through Whitman's Eyes Biblical Hebrew Poetry is Not Metrical The Shape of Poetic Rhythm Orality, Song, and Music The Free Rhythms of Biblical Poetry Summary Chapter Three - The Idea of Lyric Poetry in the Bible The Hebrew Lyric Summary Lyric in extenso: Probing (Some) Possibilities in the Song Beyond Lyric: Toward a Richer Understanding of (Other) Biblical Poems Chapter Four - An Informing Orality: Biblical Poetic Style Some Preliminary Points of Orientation Prob(lematiz)ing the Question of Hebrew Narrative Poetry Nonnarrative Oral Poetry, Or: Orality Poeticized Otherwise Signs of (Nonnarrative) Orality in Biblical Poetry Emergent Textuality Conclusions Chapter Five - The Way of Poetry in Psalm 133 I II III IV Closing Notes Bibliography Index ...
