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Michael Dylan Foster is Associate Professor of Folklore and East Asian Studies at Indiana University. He is author of
Pandemonium and Parade: Japanese Monsters and the Culture of Yokai (2009),
The Book of Yokai: Mysterious Creatures of Japanese Folklore (2015), and numerous articles on Japanese folklore, literature, and media.
Lisa Gilman is Associate Professor of Folklore and English at the University of Oregon. She researches dance, gender, and politics in Malawi and has published on the use of women¿s dancing in Malawi¿s political sphere. She has also done extensive research with US veterans of the Iraq and Afghanistan conflicts.
List of contents
1 Introduction
Michael Dylan Foster
[Section: Local Studies]
2 Voices on the Ground: Kutiyattam, UNESCO, and the Heritage of Humanity
Leah Lowthorp
3 The Economic Imperative of UNESCO Recognition: A South Korean Shamanic Ritual
Kyoim Yun
4 Demonic or Cultural Treasure? Local Perspectives on Vimbuza, ICH, and UNESCO in Malawi
Lisa Gilman
5 Imagined UNESCOs: Interpreting ICH on a Japanese Island
Michael Dylan Foster
6 Macedonia, UNESCO, and Intangible Cultural Heritage: The Challenging Fate of Teshkoto
Carol Silverman
7 Shifting Actors and Power Relations: Contentious Local Responses to the Safeguarding of Intangible Cultural Heritage in Contemporary China
Ziying You
[Section: Critical Discussion]
8 Understanding UNESCO: The Importance of Understanding the Organization in Evaluations of Its ICH Programs
Anthony Seeger
9 Learning to Live with ICH: Diagnosis and Treatment
Valdimar Tr. Hafstein
10 Cultural Forms, Policy Objects, Local Agendas
Dorothy Noyes
About the author
Michael Dylan Foster is Associate Professor of Folklore and East Asian Studies at Indiana University. He is author of
Pandemonium and Parade: Japanese Monsters and the Culture of Y¿kai (2009),
The Book of Y¿kai: Mysterious Creatures of Japanese Folklore (2015), and numerous articles on Japanese folklore, literature, and media.
Lisa Gilman is Associate Professor of Folklore and English at the University of Oregon. She researches dance, gender, and politics in Malawi and has published on the use of women's dancing in Malawi's political sphere. She has also done extensive research with US veterans of the Iraq and Afghanistan conflicts.
Summary
With examples from around the world, and a balance of local experiences with broader perspectives, this volume provides a unique comparative approach to timely questions of tradition and change in a rapidly globalizing world.
