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These translations provide a comprehensive view of Schopenhauer's contribution to epistemology, theory of perception and philosophy of nature.
List of contents
General editor's preface; Editorial notes and references; Introduction; Notes on text and translation; Chronology; Bibliography; Part I. On the Fourfold Root of the Principle of Sufficient Reason: 1. Introduction; 2. Survey of what is most important in previous teachings about the principle of sufficient reason; 3. Inadequacy of previous accounts and sketch of a new one; 4. On the first class of objects for the subject and the form of the principle of sufficient reason governing in it; 5. On the second class of objects for the subject and the form of the principle of sufficient reason governing in it; 6. On the third class of objects for the subject and the form of the principle of sufficient reason governing in it; 7. On the fourth class of objects for the subject and the form of the principle of sufficient reason governing in it; 8. General remarks and results; Variants in different editions; Collation of the two editions; Part II. On Vision and Colours: 9. On vision; 10. On colours; Variants in different editions; Part III. On Will in Nature: 11. Introduction; 12. Physiology and pathology; 13. Comparative anatomy; 14. Plant physiology; 15. Physical astronomy; 16. Linguistics; 17. Animal magnetism and magic; 18. Sinology; Reference to ethics; Conclusion; Variants in different editions; Glossary of names; Index.
About the author
The writings of German philosopher ARTHUR SCHOPENHAUER (1788-1860) were a profound influence on art and aesthetics, music and literature in the 19th century. Among his many writings are *On the Fourfold Root of the Principle of Sufficient Reason* (1847) and *The World as Will and Idea* (1819), considered his masterpiece.
Summary
On the Fourfold Root, translated here in a readable and scholarly edition, is an essential preliminary to Schopenhauer's great book The World as Will and Representation. In the companion works Schopenhauer defends his idea that all nature is an expression of will and attacks Newton's account of colour perception.
