Fr. 240.00

Oxford Handbook of Applied Ethnomusicology

English · Hardback

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Zusatztext Assured in tone and ambitious in scope, this hefty tome signals the arrival of what has been long awaited by many in the field: a leading and legitimizing voice, a chorus of praise singing in fact, for the public ethnomusicologist as curator of explicit social action agendas influencing the sustainability of local music cultures on a global scale ... With this handbook on the shelf of your local college music library, there's every reason to believe that future ethnomusicologists- in training will have a strong theoretical resource that makes the case for continued "meddling" as a career option. It's a hopeful prospect. Informationen zum Autor Svanibor Pettan is Full Professor, Chair of the Program in Ethnomusicology at the University of Ljubljana. He is also the Secretary General of the International Council for Traditional Music and President of the Cultural and Ethnomusicological Society Folk Slovenia. Jeff Todd Titon is Emeritus Professor of Music, Brown University. He is the author of Worlds of Music: An Introduction to the Music of the World's Peoples (Schirmer, 3rd ed. 2009) and numerous other titles. Klappentext 0 Zusammenfassung The Oxford Handbook of Applied Ethnomusicology theorizes applied ethnomusicology, offers histories, and puts forward practical examples to stimulate further development in the field. Inhaltsverzeichnis Table of Contents I. Introduction: Applied Ethnomusicology, Challenges and Potentials Part 1. Jeff Todd Titon (USA): Applied Ethnomusicology, a Descriptive and Historical Account Part 2. Svanibor Pettan (Slovenia): Applied Ethnomusicology in the Global Arena Part 3. Jeff Todd Titon and Svanibor Pettan: An Introduction to the Essays II. Theoretical and Methodological Considerations 1. Dan Bendrups (Australia): Transcending Researcher Vulnerability through Applied Ethnomusicology 2. Klisala Harrison (Finland): Evaluating Values in Applied Ethnomusicology 3. Tan Sooi Beng (Malaysia): Cultural Engagement and Ownership through Participatory Approaches in Applied Ethnomusicology 4. Huib Schippers (Australia): Applied Ethnomusicology and Intangible Cultural Heritage: Understanding 'Ecosystems' of Music as a Tool for Sustainability 5. Jeff Todd Titon (USA): Sustainability, Resilience and Adaptive Management for Applied Ethnomusicology III. Advocacy 6. Jeffrey A. Summit (USA): Advocacy and the Ethnomusicologist: Assessing Capacity, Developing Initiatives, Setting Limits, and Making Sustainable Contributions 7. Ursula Hemetek (Austria): Applied Ethnomusicology as an Intercultural Tool: Some Experiences from the Last 25 Years of Minority Research in Austria 8. Michael B. Bakan (USA): Being Applied in the Ethnomusicology of Autism 9. Brian Schrag (USA): Motivations and Methods for Encouraging Artists in Longer Traditions 10. Zoe C. Sherinian (USA): Activist Ethnomusicology and Marginalized Musics of South Asia IV. Indigenous Peoples 11. Elizabeth Mackinlay (Australia): Decolonisation and Applied Ethnomusicology: Story-ing the Personal-Political-Possible in Our Work 12. Holly Wissler (USA): Andean Q'eros and Amazonian Wachiperi: Indigenous Voice in Grassroots Tourism, Safeguarding, and Ownership Projects V. Conflicts 13. Erica Haskell (USA): The Role of Applied Ethnomusicology in Post-conflict and Post-catastrophe Communities 14. Joshua D. Pilzer (Canada): The Study of Survivors' Music 15. Britta Sweers (Switzerland): The Public Display of Migrants in National(ist) Conflict Situations in Europe: An Analytical Reflection on University-Based Ethnomusicological Activism VI. Education 16. Susan E. Oehler Herrick (USA): Strategies and Opportunities in the Education Sector for Applied Ethnomusicology 17. John Morgan O'Connell (UK): Music and Humanism in the Aga Khan Humanities Project 18. Patricia Sheehan ...

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