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Informationen zum Autor Michel Chion is a composer, filmmaker, teacher, researcher, and the author of several books, including Film, A Sound Art; The Voice in Cinema; and Audio-Vision: Sound on Screen. James A. Steintrager is Professor of English, Comparative Literature, and European Languages and Studies at the University of California, Irvine; he is the author, most recently, of The Autonomy of Pleasure: Libertines, License, and Sexual Revolution. Klappentext First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening-listening without visual access to a sound's cause-to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do. Zusammenfassung Appearing here in English for the first time! Michel Chion's Sound addresses the philosophical questions that inform our encounters with sound! stimulating our thinking about being open to new sounds and to explore the links between language! technology! culture! and hearing. Inhaltsverzeichnis Introduction. Closed Grooves, Open Ears / James A. Steintrager vii Preface to the French Edition of 2010 xxvii I. Hearing 1. Listening Awakes 3 2. The Ear 16 3. Sound and Time 29 II. A Divided World 4. Voice, Language, and Sounds 45 5. Noise and Music: A Legitimate Distinction? 55 III. The Wheel of Causes 6. The Sound That You Cause: Ergo-Audition 83 7. Sounds and Its Cause: Casual Listening and Figurative Listening 101 8. Sound and What It Causes: Real and Supposed Effects 121 IV. Sound Transformed 9. How Technology Has Changed Sound 131 10. The Audiovisual Couple in Film: Audio-Vision 150 V. Listening, Expressing 11. Object and Non-Object: Two Poles 169 12. Between Doing and Listening: Naming 212 Notes 243 Glossary 265 Bibliography 269 Index 275...
