Fr. 135.00

Visual Music Film

English · Hardback

Shipping usually within 6 to 7 weeks

Description

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Informationen zum Autor Dr. Aimee Mollaghan is a senior lecturer and the programme leader for undergraduate Film Studies and Film Studies with Film Production at Edge Hill University in England. Her research interests focus on interdisciplinary explorations of sound and music in film and animation and she has published several book chapters and articles in this area. She is also the reviews editor for  animation: an interdisciplinary journal . Klappentext Adopting an interdisciplinary approach, The Visual Music Film explores the concept and expression of musicality in the visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony. Zusammenfassung Adopting an interdisciplinary approach! The Visual Music Film explores the concept and expression of musicality in the visual music film! in which visual presentations are given musical attributes such as rhythmical form! structure and harmony. Inhaltsverzeichnis List of Figures List of Tables Acknowledgements Introduction 1. Questions of Attribution and Contribution: What Constitutes a Visual Music Film? 2. The Formal Absolute in the Visual Music Film 3. The Spiritual Absolute in the Visual Music Film 4. Experimentation and Technological Innovation 5. Conceptions of Harmony in the Work of John Whitney Conclusion Bibliography Index

List of contents

List of Figures
List of Tables
Acknowledgements
Introduction
1. Questions of Attribution and Contribution: What Constitutes a Visual Music Film?
2. The Formal Absolute in the Visual Music Film
3. The Spiritual Absolute in the Visual Music Film
4. Experimentation and Technological Innovation
5. Conceptions of Harmony in the Work of John Whitney
Conclusion
Bibliography
Index

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