Materialities - Books, Readers, and the Chanson in Sixteenth-Century Europe

Informationen zum Autor Kate van Orden specializes in cultural history. Her books include Music, Discipline, and Arms in Early Modern France (2005), which won the Lewis Lockwood Award from the American Musicological Society, the edited volume, Music and the Cultures of Print (2000), and Music, Authorship, and the Book in the First Century of Print (2014). She performs on historical bassoons and has recorded for Sony, Virgin Classics, Glossa, Teldec, and Harmonia Mundi. She is a professor ofmusic at Harvard University. Klappentext Materialities is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century. Zusammenfassung Materialities is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century.

Summary

Materialities is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century.

Product details

• Authors: Orden, Kate Van Orden, Kate Van Orden, Kate (Professor of Musicology Van Orden
• Publisher: Oxford University Press
• Languages: English
• Product format: Hardback
• Released: 09.07.2015
• EAN: 9780199360642
• ISBN: 978-0-19-936064-2
• No. of pages: 344
• Series: NEW CULTURAL HISTORY OF MUSIC SERIES; New Cultural History of Music
• Subjects: Humanities, art, music > Music > Music history; Social sciences, law, business > Media, communication > Journalism