Fr. 135.00

Creative Cognition and the Cultural Panorama of Twentieth Century Spai

English · Hardback

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Zusatztext "Candelas Gala! Charles E. Taylor Professor of Romance Languages at Wake Forest University! offers in this book a new instance of her long research engagement with the connections between twentieth century Spanish poetry! art! and science. ? Gala's book is a powerful reminder! in these dire times of the dismissal of the humanities! that art is a unique and irreplaceable form of knowledge." (Juan Herrero-Senés! Studies in Twentieth and Twenty-First Century Literature! newprairiepress.org! June! 2017)  Informationen zum Autor Candelas Gala is the Charles E. Taylor Professor of Romance Languages at Wake Forest University, USA.            Klappentext This multidisciplinary study focuses on the creative state as the nucleus of the work of numerous poets, artists, and philosophers from twentieth-century Spain. Beginning with cognitive science, Gala explores the mental processes and structures that underline creative thinking, for poets like José María Hinojosa, Clara Janés, and Jorge Guillén. Zusammenfassung This multidisciplinary study focuses on the creative state as the nucleus of the work of numerous poets, artists, and philosophers from twentieth-century Spain. Beginning with cognitive science, Gala explores the mental processes and structures that underline creative thinking, for poets like José María Hinojosa, Clara Janés, and Jorge Guillén. Inhaltsverzeichnis Introduction 1. Creative Convulsion: José María Hinojosa and La flor de Californía 2. Creative Dialectics: José Moreno Villa and Jacinta la pelirroja 3. Creative Measurements: Plastic-Dynamic Development in Maruja Mallo's Naturalezas vivas 4. Creative Beatitude: Jorge Guillén and Baruch Spinoza 5. Creative Quietude. A Transdisciplinary Encounter: Clara Janés, Eduardo Chillida, and María Zambrano 6. Creative Artifacts: Agustín Fernández Mallo's Post-Poetry Proposal (sharing thoughts with Wittgenstein) Closing Remarks

List of contents

Introduction 1. Creative Convulsion: José María Hinojosa and La flor de Californía 2. Creative Dialectics: José Moreno Villa and Jacinta la pelirroja 3. Creative Measurements: Plastic-Dynamic Development in Maruja Mallo's Naturalezas vivas 4. Creative Beatitude: Jorge Guillén and Baruch Spinoza 5. Creative Quietude. A Transdisciplinary Encounter: Clara Janés, Eduardo Chillida, and María Zambrano 6. Creative Artifacts: Agustín Fernández Mallo's Post-Poetry Proposal (sharing thoughts with Wittgenstein) Closing Remarks

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"Candelas Gala, Charles E. Taylor Professor of Romance Languages at Wake Forest University, offers in this book a new instance of her long research engagement with the connections between twentieth century Spanish poetry, art, and science. ... Gala's book is a powerful reminder, in these dire times of the dismissal of the humanities, that art is a unique and irreplaceable form of knowledge." (Juan Herrero-Senés, Studies in Twentieth and Twenty-First Century Literature, newprairiepress.org, June, 2017)

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