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Informationen zum Autor Jon Lewis is the University Distinguished Professor of Film Studies and University Honors College Eminent Professor at Oregon State University. He has published thirteen books, including The Road to Romance and Ruin: Teen Films and Youth Culture (a Choice magazine Academic Book of the Year selection) Whom God Wishes to Destroy … Francis Coppola and the New Hollywood (a Booklist starred title), Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry (a New York Times New and Noteworthy title), Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles , and for the British Film Institute’s Film Classics series, The Godfather . Professor Lewis has appeared in two theatrically released documentaries on film censorship: Inside Deep Throat (Fenton Bailey, 2005) and This Film is Not Yet Rated (Kirby Dick, 2006). Between 2002 and 2007, Lewis was editor of Cinema Journal and had a seat on the Executive Council of the Society for Cinema and Media Studies. Klappentext Of all the job titles in the screen credits, 'producer' is the most amorphous, partly because these people are uniquely involved in several aspects of a movie project at once, partly because there are so many different kinds: businesswomen and businessmen producers, writer, director, film star producers & executive producers. Vorwort Of all the job titles in the screen credits, 'producer' is the most amorphous, partly because these people are uniquely involved in several aspects of a movie project at once, partly because there are so many different kinds: businesswomen and businessmen producers, writer, director, film star producers & executive producers. Zusammenfassung Of all the job titles in the screen credits, 'producer' is the most amorphous, partly because these people are uniquely involved in several aspects of a movie project at once, partly because there are so many different kinds: businesswomen and businessmen producers, writer, director, film star producers & executive producers. Inhaltsverzeichnis AcknowledgmentsIntroductionJon LewisChapter 1: The Silent Screen, 1895-1927Mark Lynn AndersonChapter 2: Classical Hollywood, 1928-1946 Joanna E. RapfChapter 3: Postwar Hollywood, 1947-1967Saverio GiovacchiniChapter 4: The Auteur Renaissance, 1968-1980Jon LewisChapter 5: New Hollywood, 1981-1999Douglas GomeryChapter 6: The Modern Entertainment Marketplace, 2000-presentBill Grantham and Toby MillerAcademy AwardsNotesSelected BibliographyNotes on ContributorsIndex...
