Read more
Informationen zum Autor Yolanda Covington-Ward Klappentext In Gesture and Power Yolanda Covington-Ward examines the everyday embodied practices and performances of the BisiKongo people of the Lower Congo to show how their gestures! dances! and spirituality are critical in mobilizing social and political action. Conceiving of the body as the center of analysis! a catalyst for social action! and as a conduit for the social construction of reality! Covington-Ward focuses on specific flash points in the last ninety years of Congo's troubled history! when embodied performance was used to stake political claims! foster dissent! and enforce power. In the 1920s Simon Kimbangu started a Christian prophetic movement based on spirit-induced trembling! which swept through the Lower Congo! subverting Belgian colonial authority. Following independence! dictator Mobutu Sese Seko required citizens to dance and sing nationalist songs daily as a means of maintaining political control. More recently! embodied performance has again stoked reform! as nationalist groups such as Bundu dia Kongo advocate for a return to precolonial religious practices and non-Western gestures such as traditional greetings. In exploring these embodied expressions of Congolese agency! Covington-Ward provides a framework for understanding how embodied practices transmit social values! identities! and cultural history throughout Africa and the diaspora. Zusammenfassung In Gesture and Power Yolanda Covington-Ward examines the everyday embodied practices and performances of the BisiKongo people of the lower Congo to show how their gestures! dances! and spirituality are critical in mobilizing social and political action. Inhaltsverzeichnis Acknowledgments ix Introduction: Gesture and Power 1 I. Performative Encounters, Political Bodies 1. Neither Native nor Stranger: Places, Encounters, Phophecies 37 II. Spirits, Bodies, and Performance in Belgian Congo 2. "A War between Soldiers and Prophets": Embodied Resistance in Colonial Belgian Congo, 1921 71 3. Threatening Gestures, Immoral Bodies: Kingunza after Kimbangu 107 III. Civil Religion and Performed Politics in Postcolonial Congo 4. Dancing with the Invisible: Everyday Performances under Mobutu Sese Seko 137 5. Dancing Disorder in Mobutu's Zaire: Animation Politique and Gendered Nationalisms 165 IV. Re-creating the Past, Performing the Future 6. Bundu dia Kongo and Embodied Revolutions: Performing Kongo Pride, Transforming Modern Society 187 Conclusion: Privileging Gesture and Bodies in Studies of Religion and Power 227 Glossary 233 Notes 235 References 253 Index 275...
