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Zusatztext Rebecca Rossen's highly readable Dancing Jewish is a major contribution to both Jewish studies and dance/performance studies. Drawing on a rich mix of archival work, interviews with performers, and the author's personal experience as a dancer and choreographer, the book is a shining example of how performance-centered research can take us places that scholarship could not otherwise reach. Informationen zum Autor Assistant Professor, Department of Theater and Dance, The University of Texas at Austing Klappentext While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart. Zusammenfassung Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but they have also played a critical and unacknowledged role in American Jewish culture. This book delineates this rich history, demonstrating how, over the twentieth century, dance enabled American Jews to grapple with identity, difference, cultural belonging, and pride. Inhaltsverzeichnis Introduction Prelude: Make Me a Jewish Dance Act I: Dancing the Jew Chapter 1: The Dancing Jew(ess): Ethnic Ambiguity and Hasidic Drag Chapter 2: Biblical Heroines and Anti-Heroines Chapter 3: The Jewish Man and His Dancing Shtick Entr'acte: Make Me a Jewish Dance Act II: Dancing Jewish Chapter 4: Dancing Folk: Jewish Memory and Amnesia Chapter 5: Dancing Zionism, Embodying Conflict Conclusion: Dancing Jewish, Dancing American Curtain Call: Dance Me My Jewish Dance Bibliography Index ...
