Fr. 236.00

Greece and Rome at the Crystal Palace

English · Hardback

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Zusatztext Nichols' book definitively makes a case for the significance of classical sculpture in multiple areas of nineteenth-century life, for a wide range of audiences, from university-trained archaeologists to autodidacts and from design reformers to artisans. Informationen zum Autor Kate Nichols is a postdoctoral fellow at the Centre for Research in Arts, Humanities and Social Sciences, University of Cambridge. Klappentext This volume uncovers the social! political! and aesthetic role of ancient Greek and Roman sculpture in modern Britain following the removal of the Crystal Palace to the South London borough of Sydenham after 1851. Zusammenfassung This volume uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain following the removal of the Crystal Palace to the South London borough of Sydenham after 1851. Inhaltsverzeichnis Preface and Acknowledgements; List of Illustrations; List of Abbreviations; Introduction; Part I: Leisure and Learning; 1 A New Audience for Greece and Rome; 2 Showing off Archaeological Knowledge; 3 Reproducing Greece and Rome; Part II: Sculpture and the Benefits of Good Taste; 4 Greek Sculpture and Nineteenth-Century Commerce; 5 Greek Sculpture! Beauty! and Morality; Part III: An Unattainable Model?; 6 Greece! Rome! and the Modern British Nation; Conclusion; Appendices 1-5; References; Index

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