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Zusatztext This lavishly illustrated book is highly recommended to anyone interested in rock art, standing stones, the material manifestation of myth, the archaeology of North Asia, sacred landscapes and the archaeology of belief. Informationen zum Autor Esther Jacobson-Tepfer is Maude I. Kerns Professor Emeritus of Art History, University of Oregon, and author or co-author of four books. Klappentext The ancient landscape of North Asia gave rise to a mythic narrative of birth, death, and transformation that reflected the hardship of life for ancient nomadic hunters and herders. Of the central protagonists, we tend to privilege the hero hunter of the Bronze Age and his re-incarnation as a warrior in the Iron Age. But before him and, in a sense, behind him was a female power, half animal, half human. From her came permission to hunt the animals of the taiga, and by her they were replenished. She was, in other words, the source of the hunter's success. The stag was a latecomer to this tale, a complex symbol of death and transformation embedded in what ultimately became a struggle for priority between animal mother and hero hunter.From this region there are no written texts to illuminate prehistory, and the hundreds of burials across the steppe reveal little relating to myth and belief before the late Bronze Age. What they do tell us is that peoples and cultures came and went, leaving behind huge stone mounds, altars, and standing stones as well as thousands of petroglyphic images. With The Hunter, the Stag, and the Mother of Animals, Esther Jacobson-Tepfer uses that material to reconstruct the prehistory of myth and belief in ancient North Asia. Her narrative places monuments and imagery within the context of the physical landscape and by considering all three elements as reflections of the archaeology of belief. Within that process, paleoenvironmental forces, economic innovations, and changing social order served as pivots of mythic transformation. With this vividly illustrated study, Jacobson-Tepfer brings together for this first time in any language Russian and Mongolian archaeology with prehistoric representational traditions of South Siberia and Mongolia in order to explore the non-material aspects of these fascinating prehistoric cultures. Zusammenfassung Offers a stunning archaeological and art historical exploration of the changing traditions of belief in pre-Bronze and Bronze Age North Asia Inhaltsverzeichnis List of Illustrations: Maps, Figures Preface Chapter One: The Transformation of Image, Object and Belief in Prehistoric North Asia Chapter Two: The Appearance of the Animal Mother Chapter Three: The Persistence of Liminal Beings Chapter Four: The Mother of Animals Chapter Five: The Emergence of Pictorial Narrative Chapter Six: Intimations of Death and Transformation Chapter Seven: The End of Naturalism in Nomadic Art Chapter Eight: The Pivot Between Life and Death Chapter Nine: Traces of Ancient Beliefs Chapter Ten: The Archaeology of Belief Appendix: The Dating of Rock Art List of Abbreviations Bibliography Index ...
