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Zusatztext Hadjikyriacou’s book is a worthy and welcome addition to the severely underresearched area of Greek cinema. An engaging read, it offers insights into the history and representation of gender, class and locality in modern Greece, relevant not only to films scholars, but also to social scientists, anthropologists and historians. Informationen zum Autor Achilleas Hadjikyriacou is a Scientific Officer at the Research Promotion Foundation in Cyprus (RPF). Hadjikyriacou received his doctorate from the European University Institute, Florence, Italy in 2010. His academic interests focus on gender history, history of masculinity, history and popular culture, visual sources in history and the history of Greek Cinema. In 2012 he was awarded the James Kaye Memorial Prize for the best PhD thesis on history and visuality for the period 2009-11. Klappentext Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, Masculinity and Gender in Greek Cinema explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s. Vorwort The first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s. Zusammenfassung Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, Masculinity and Gender in Greek Cinema explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s. Inhaltsverzeichnis Acknowledgements/Notes for the Reader/Prologue Chapter 1: Masculinity and Gender Relations in Greece: 1949-1967 Greece As Presented by Social Anthropologists /Anthropological views of gender: An Incomplete PictureGreek Society in Transition and Change /Redefining Gender Relations /Youth: Opportunities, Challenges, Continuities, and New Cultures /Rethinking Masculinity and Gender in Post-War Greek Society Chapter 2: Greek Cinema: 1949-1967 Towards a Greek Hollywood: Films, Audiences, and Companies in Post-War Greece /The Role of the StateReflections of Social Change ...
