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Informationen zum Autor Andretta Schellinger holds a Bachelors in History and Sociology from Pacific University and a Masters in Military and Diplomatic Studies from Hawaii Pacific University. She lives in The Dalles, Oregon. Klappentext Since World War I, nose art has adorned military aircraft around the world. Intended for friendly rather than enemy eyes, these images--with a wide range of artistic expression--are part of the personal and unit histories of pilots and aircrews. As civilian and military attitudes and rationales for war change from one conflict to the next, changes can also be seen in the iconography of nose art. This analysis from a cultural perspective compares nose art in the United States, Great Britain and France from World War I, World War II, the Korean War and the Vietnam War. Inhaltsverzeichnis Table of ContentsPreface delete?BR>Introduction delete?BR>Part One.?00-1913: The Beginning1.?xpression delete?2.?lanes Emerge delete?Part Two.?14-1919: The Great3.?oaring delete?4.?avalry delete?Part Three.?19-1939: Lull in Fighting or a Continuation?5.?he Roaring and the Depressed delete?6.?ickey and the Gang delete?Between pages 74 and 75 are 8 color plates containing 10 imagesPart Four.?40-1945: Same Adversaries, Same Place7.?ation and Save delete?8.?artoons delete?Part Five.?45-1953: The Start of the Cold9.?ock a Billy delete?110.?ransition delete?1Part Six.?65-1973:?he Political11.?winging delete?312.?kulls delete?0The Future of Nose Art delete?0Conclusion delete?3Chapter Notes delete?7Bibliography delete?1Index delete?5
