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Informationen zum Autor Michael Klein is Professor of Music Studies at Temple University. He is author of Intertextuality in Western Art Music (IUP, 2004) and editor (with Nicholas Reyland), of Music and Narrative since 1900 (IUP, 2012). Klappentext Michael Klein is Professor of Music Studies at Temple University. He is author of Intertextuality in Western Art Music (IUP, 2004) and editor (with Nicholas Reyland), of Music and Narrative since 1900 (IUP, 2012). Zusammenfassung By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. Inhaltsverzeichnis Acknowledgements Introduction 1. Music and the Symptom 2. The Acoustic Mirror as Formative of Auditory Pleasure and Fantasy: Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" 3. Debussy and the Three Machines of the Proustian Narrative 4. Chopin Dreams: the Mazurka in C# Minor as Sinthome Intermezzo: On Agency 5. Postmodern Quotation, the Signifying Chain, and the Erasure of History 6. Lutos¿awski, Molar and Molecular Works Cited Index
About the author
Michael Klein is Professor of Music Studies at Temple University. He is author of
Intertextuality in Western Art Music (IUP, 2004) and editor (with Nicholas Reyland), of
Music and Narrative since 1900 (IUP, 2012).
