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Informationen zum Autor By Luis Camnitzer Klappentext The first collection of writings in English by the acclaimed Uruguayan artist and curator whose work, after years of marginalization, has achieved international recognition, including exhibition in the Whitney Biennial and Documenta 11. Zusammenfassung The first collection of writings in English by the acclaimed Uruguayan artist and curator whose work, after years of marginalization, has achieved international recognition, including exhibition in the Whitney Biennial and Documenta 11. Inhaltsverzeichnis Foreword by Rachel WeissPart I: On and Against Translation Introduction1. Contemporary Colonial Art (1969)2. The Sixties (1998)3. Exile (1983)4. Political Pop (1998)5. Access to the Mainstream (1987)6. Wonder Bread and Spanglish Art (1989)7. Cultural Identities Before and After the Exit of Bureau-Communism (1991)8. Art and Politics: The Aesthetics of Resistance (1994)9. The Artist's Role and Image in Latin America (2004)10. Out of Geography and Into the Moiré Pattern (1996)11. The Reconstruction of Salami (2003)12. Printmaking: A Colony of the Arts (1999)13. My Museums (1995)14. The Forgotten Individual (1996)15. Free-trade Diaspora (2003)Part II: Other Histories Introduction16. Pedro Figari (1991)17. Resoftenings and Softenings in Uruguayan Art (1991)18. An Ode to Aquatint (2003)19. Revisiting Tautology (2006)20. The Museo Latinoamericano and MICLA (1992)21. Flying in Weightlessness (2004)22. Brazil in New York (2001)23. The Keeper of the Lens (2005)24. The Two Versions of Santa Anna's Leg and the Ethics of Public Art (1995)25. The Biennial of Utopias (1999)26. Introduction to the Symposium "Art as Education/Education as Art" (2007)Index
