Read more
Informationen zum Autor Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. She is the author of two books on musical life in China’s Xinjiang Uyghur Autonomous Region, and leader of the research project "Sounding Islam in China". Rowan Pease is editorial manager of The China Quarterly and also serves as a senior teaching fellow for the department of music, SOAS, University of London. She has published several chapters on music of the Chinese Koreans and also on the Korean Wave in China. Klappentext In Pieces of the Musical World: Sounds and Cultures! each "piece" is a musical sound or object that provides a springboard from which to tell a story about a particular geographic region. A collaborative venture by staff and research associated with the Department of Music at SOAS! University of London! the text provides in-depth introductions to key aspects of the cultures in which these musical "pieces" are embedded! the contexts of performance! the musicians who create or perform them! the journeys they have taken! and their evolving meanings and connotations. Organized thematically! with an emphasis on the role of field research! each of the book's fourteen chapters highlights a single musical "piece" broadly defined! spanning the range of "traditional!" "popular"! "classical" and "contemporary" musics! and even sounds which might be considered "not music!" and in the processs! explores topics of interest to the discipline of ethnomusicology! including music and environment! hdigital mediation! globalization and diaspora! politics! among others.With the inclusion of primary sources and an interactive companion website! mirroring the book's thematic framework! that features audio and video recordings! listening guides! a glossary of musical terms! interviews! and 3D models of instruments and maps! this unique and dynamic textbook creates for students a complete and enhanced experience of the musical world. Zusammenfassung Pieces of the Musical World: Sounds and Cultures is a fieldwork-based ethnomusicology textbook that introduces a series of musical worlds each through a single "piece." It focuses on a musical sound or object that provides a springboard from which to tell a story about a particular geographic region, introducing key aspects of the cultures in which it is embedded, contexts of performance, the musicians who create or perform it, the journeys it has travelled, and its changing meanings. A collaborative venture by staff and research ethnomusicologists associated with the Department of Music at SOAS, University of London, Pieces of the Musical World is organized thematically. Three broad themes: "Place", "Spirituality" and "Movement" help teachers to connect contemporary issues in ethnomusicology, including soundscape studies, music and the environment, the politics of identity, diaspora and globalization, and music and the body. Each of the book's fourteen chapters highlights a single musical "piece" broadly defined, spanning the range of "traditional," "popular", "classical" and "contemporary" musics, and even sounds which might be considered "not music." Primary sources and a web site hosting recordings with interactive listening guides, a glossary of musical terms and interviews all help to create a unique and dynamic learning experience of our musical world. Inhaltsverzeichnis Part I: Place: Introduction 1. Soundscapes of the Old City: Listening to Jersualem's Old City (Israel/Palestine) Abigail Wood 2. "Soliyo" (Calling the horses): Song and memory in Mande music (Mali) Lucy Duran 3. "Aqqu" (White Swan): Sound Mimesis and Spirit Evocation in Kazakh Qobyz Performance (Kazakhstan) Saida Daukeyeva 4. "Grande Mestre": Longing and celebration in Capoeira Angola (B...
