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Sam Riviere's debut, 81 Austerities , began as a blog responding to the spending cuts, and went on in publication to win the 2012 Forward Prize for Best First Collection. A sequel of sorts, the 72 poems in Kim Kardashian's Marriage mark out equally sharpened lines of public and private engagement. Kim Kardashian's 2011 marriage lasted for 72 days, and was seen by some as illustrative of the performative spectacle of celebrity life. Whatever the truth of this (and Kardashian's own statements refute it), Riviere has used the furore as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation. His approach eschews a dependence upon confessional modes of writing to explore what kind of meaning lies in impersonal methods of creation. For, as with 81 Austerities , the process of enquiry involves the composition method itself, this time in poems that have been produced by harvesting and manipulating the results of search engines to create a poetry of part-collage, part-improvisation. The effect is as refractive as it is reflective, and disturbs the slant on biography until we are left with a pixellation of the first person. Kim Kardashian's Marriage is a captivating examination of artifice and reality, privacy and exposure, and an uncanny commemoration of the contemporary moment.
About the author
Sam Riviere is the author of the poetry books 81 Austerities (2012), Kim Kardashian's Marriage (2015), and After Fame (2020), as well as numerous limited-edition titles. He won an Eric Gregory Award in 2009, and the Forward Prize for Best First Collection in 2012. Born in Norwich, he currently lives in London, where he runs the micropublisher If a Leaf Falls Press. His first novel, Dead Souls, is published by W&N in the UK and Catapult in the US. His latest poetry collection Conflicted Copy was published in 2024.
Summary
Whatever the truth of this (and Kardashian's own statements refute it), Riviere has used the furore as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation.
Report
The sudden crash from mundanities to gravesides, thunder and religion, play on the idea of "reality" entertainment and the inability for the reader to differentiate between was is real and what is fantasy. The Independent
