Muscial Verbalization in the Narrative Diction of Anthony Burgess

Scientific Essay from the year 2013 in the subject Didactics - English - Literature, Works, grade: 74, University of Salford, course: Anthony Burgess and his Contemporaries, language: English, abstract: This essay demonstrates that instrumentation may be not suggestive. Be it an incidental music, or a formal text, the very nature of authorship may permit a Pyrrhic 'pun', by means of which its analogical 'devices' -in general- may work against their 'own' means of duality.As a preliminary approach to such self-destructive duality in specific, we are being proposed to 'devices' being repressed a midst two denominations namely;the transcendental realm of the octa-tonic scale and the narrative diction of Anthony Burgess. These devices include but not restricted to ;'the evasive cadence', 'petro-musicology','elevator music', 'the chromatic scale' and 'the diatonic cycle'. It gratifies the schematic approach of Anthony Burgess towards his understanding of music, but exclusively traces the wayward musicality of misunderstanding.

Product details

• Authors: Yehia Abd El Azeem
• Publisher: Grin Verlag
• Languages: English
• Product format: Paperback / Softback
• Released: 01.01.2014
• EAN: 9783656742289
• ISBN: 978-3-656-74228-9
• No. of pages: 20
• Dimensions: 148 mm x 210 mm x 1 mm
• Weight: 45 g
• Series: Akademische Schriftenreihe; Akademische Schriftenreihe Bd. V280274; Akademische Schriftenreihe; Akademische Schriftenreihe Bd. V280274
• Subjects: Education and learning > Miscellaneous; Humanities, art, music > Education > Secondary school levels I and II