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Informationen zum Autor Larissa Hjorth, Royal Melbourne Institute of Technology, AustraliaCrystal Abidin, University of Western AustraliaEugenio Tisselli, University of Applied Arts, SwitzerlandPatrick Kelly, Royal Melbourne Institute of Technology, AustraliaLeo Berkeley, Royal Melbourne Institute of Technology, AustraliaDean Keep, Swinburne University, AustraliaEdgar Gomez Cruz, University of Leeds, UKAdam Kossoff, University of Wolverhampton, UKLarissa Hjort, Royal Melbourne Institute of Technology, AustraliaFran Edmonds, University of Melbourne, AustraliaCraig Batty, Royal Melbourne Institute of Technology, AustraliaBrian House, Brown University, USA Cristina Miguel, University of Leeds, UK Klappentext With the rise of smartphones and the proliferation of applications, the ways everyday media users and creative professionals represent, experience, and share the everyday is changing. This collection reflects on emergent creative practices and digital ethnographies of new socialities associated with smartphone cameras in everyday life. Zusammenfassung With the rise of smartphones and the proliferation of applications! the ways everyday media users and creative professionals represent! experience! and share the everyday is changing. This collection reflects on emergent creative practices and digital ethnographies of new socialities associated with smartphone cameras in everyday life. Inhaltsverzeichnis 1. Creative Mobile Media: The State of Play; Marsha Berry and Max Schleser PART I: AESTHETICS 2. Artist with a Camera-phone: A Decade of Mobile Photography; Dean Keep 3. Tram Travels: Smartphone Video Production and the Essay Film; Leo Berkeley 4. The Mobile Phone and the Flow of Things; Adam Kossoff PART II: SPACE AND PLACE 5. Ambient Play: Camera-phone Practices and Mobile Gaming; Larissa Hjorth 6. Filtered smartphone moments: Haunting places; Marsha Berry 7. Subversive Mobile Storytelling; Brian House PART III: KNOWLEDGE AND STORIES 8. Sauti ya wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Rural Tanzania; Eugenio Tisselli 9. Digital Storytelling and Aboriginal Young People: An Exploration of Digital Technology to Support Contemporary Koori Culture; Fran Edmonds 10. Smartphone Screenwriting: Creativity, Technology, and Screenplays-on-the-go; Craig Batty PART IV: THE SELF 11. Instagram: A Repository of Taste, a Brimming Marketplace, a War of Eyeballs; Crystal Abidin 12. Slow Media Production and the Rise of Instagram Video; Patrick Kelly 13. I'm Doing This Right Now and It's for You: The Role of Images in Sexual Ambient Intimacy; Edgar Gómez Cruz and Cristina Miguel 14. Connecting through Mobile Autobiographies: Self-reflexive Mobile Filmmaking, Self-representation and Selfies; Max Schleser...
List of contents
1. Creative Mobile Media: The State of Play; Marsha Berry and Max Schleser PART I: AESTHETICS 2. Artist with a Camera-phone: A Decade of Mobile Photography; Dean Keep 3. Tram Travels: Smartphone Video Production and the Essay Film; Leo Berkeley 4. The Mobile Phone and the Flow of Things; Adam Kossoff PART II: SPACE AND PLACE 5. Ambient Play: Camera-phone Practices and Mobile Gaming; Larissa Hjorth 6. Filtered smartphone moments: Haunting places; Marsha Berry 7. Subversive Mobile Storytelling; Brian House PART III: KNOWLEDGE AND STORIES 8. Sauti ya wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Rural Tanzania; Eugenio Tisselli 9. Digital Storytelling and Aboriginal Young People: An Exploration of Digital Technology to Support Contemporary Koori Culture; Fran Edmonds 10. Smartphone Screenwriting: Creativity, Technology, and Screenplays-on-the-go; Craig Batty PART IV: THE SELF 11. Instagram: A Repository of Taste, a Brimming Marketplace, a War of Eyeballs; Crystal Abidin 12. Slow Media Production and the Rise of Instagram Video; Patrick Kelly 13. I'm Doing This Right Now and It's for You: The Role of Images in Sexual Ambient Intimacy; Edgar Gómez Cruz and Cristina Miguel 14. Connecting through Mobile Autobiographies: Self-reflexive Mobile Filmmaking, Self-representation and Selfies; Max Schleser