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In this provocative book, Nicholas Daly tracks the cultural effects of the population explosion of the nineteenth century, the 'demographic transition' to the modern world. As the crowded cities of Paris, London and New York went through similar transformations, a set of shared narratives and images of urban life circulated among them, including fantasies of urban catastrophe, crime dramas, and tales of haunted public transport, refracting the hell that is other people. In the visual arts, sentimental genre pictures appeared that condensed the urban masses into a handful of vulnerable figures: newsboys and flower-girls. At the end of the century, proto-ecological stories emerge about the sprawling city as itself a destroyer. This lively study excavates some of the origins of our own international popular culture, from noir visions of the city as a locus of crime, to utopian images of energy and community.
List of contents
Introduction; 1. Under the volcano: mass destruction; 2. The streets of wherever: French melodrama and Anglophone localization; 3. The ghost comes to town: the haunted city; 4. The frenzy of the legible in the age of crowds; 5. Fur and feathers: animals and the city in an Anthropocene era; Conclusion.
About the author
Nicholas Daly is Professor of Modern English and American Literature at the School of English, Drama and Film, University College Dublin. He is the author of Modernism, Romance, and the Fin de Siècle (Cambridge University Press, 1999), Literature, Technology and Modernity (Cambridge University Press, 2004), and Sensation and Modernity in the 1860s (Cambridge University Press, 2009).
Summary
Nicholas Daly offers a lively and provocative account of the transformation of culture by the population explosion of the nineteenth century. Finding examples in everything from ghost stories to opera to fashion, Daly shows how narratives and images of crowded city life circulated among Paris, London and New York.
