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Zusatztext "Jenny McPhee’s new translation… reads as more contemporary, immediate, and dynamic. Critically, McPhee’s translation emphasizes how language operates within the closed system of a family… In Family Lexicon, familiar words and phrases are the fragments that conjure glimpses of a more complete world, summon what and who has been lost and allow them to continue, to coalesce, condense, collapse. To be carried away, yes, and to carry on." —Emily LaBarge, Bookforum “One of Italy’s finest postwar writers. . . . If Elena Ferrante is a master of the sprawling, unputdownable epic, Ginzburg is a miniaturist. Her themes are buried in gestures, fragments, absences—not in what is said, but in what is not said. . . . Her masterpiece—the hyperbole is warranted—is Family Lexicon .” —Negar Azimi, Bookforum “The raw beauty of Ginzburg’s prose compels our gaze. First we look inward, with the shock of recognition inspired by all great writing, and then, inevitably, out at the shared world she evokes with such uncompromising clarity.” —Hilma Wolitzer “There is no one quite like Ginzburg for telling it like it is. Her unique, immediately recognizable voice is at once clear and shaded, artless and sly, able to speak of the deepest sorrows and smallest pleasures of everyday life.” —Phillip Lopate “A glowing light of modern Italian literature...Ginzburg’s magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning stroke of a plain phrase...As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.” —Kate Simon, The New York Times " Family Lexicon recalls the great modernists’ reimaginings of childhood — Joyce, Compton-Burnett, Katherine Mansfield, parts of Italo Svevo’s Zeno’s Conscience , and, farther back, Swann’s Way..." — Eric Gudas, Los Angeles Review of Books "Ginzburg was a masterful writer, a witty, elegant prose stylist, and a fiercely intelligent thinker….This 1963 novel, newly translated by novelist McPhee, is a genre-defying work. It reads like a memoir, but it doesn’t adhere to the conventions of either fiction or nonfiction…. "The lore of her large, loving, and discordant family provides rich material for Ginzburg’s engrossing autobiographical novel.” — Publishers Weekly “The atmosphere of the book is so clear and immediate that reading it is like being there or seeing a film.” — The Christian Science Monitor “Her simplicity is an achievement, hard-won and remarkable, and the more welcome in a literary world where the cloak of omniscience is all too readily donned.” —William Weaver, The New York Times Praise for A Place to Live: And Other Selected Essays of Natalia Ginzburg “There is no one quite like Natalia Ginzburg for telling it like it is. Her unique, immediately recognizable voice is at once clear and shaded, artless and sly, able to speak of the deepest sorrows and smallest pleasures of everyday life. For all those like myself who love Natalia Ginzburg’s prose, this generous selection assembled from her essay collections will be irresistible, a must to own, cherish, and re-read.” —Phillip Lopate “The raw beauty of Natalia Ginzburg’s prose compels our gaze. First we look inward, with the shock of recognition inspired by all great writing, and then, inevitably, out at the shared world she evokes with such uncompromising clarity.” —Hilma Wolitzer Informationen zum Autor Natalia Ginzburg (1916–1991) was born Natalia Levi in Palermo, Sicily, the daughter of a Jewish biologist father and a Catholic mother. She grew up in Turin, in a household that was a salon for antifascist activists, intellectuals, and artists, and published her first short stories at the age of eighteen; she would go on to become one of the most important and widely t...
