Fr. 170.00

Screening Nostalgia - Populuxe Props Technicolor Aesthetics in Contemporary American Film

English · Hardback

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Zusatztext " Screening Nostalgia provides a cogent summary of the history of America's love affair with nostalgia as well as offering useful examples of how to mobilize nostalgia in critically sophisticated ways. The text is engaging and accessible and should have wide appeal! particularly among scholars and students of film and American cultural history."   ·  Southwest Journal of Cultures "The excellence of the scholarship (the bibliography alone covers a daunting range of fields from seventeenth-century medical case histories through to cutting edge critical theory) and the persuasive arguments which she presents do indeed develop a thorough and solid foundation for her theory of nostalgia in film! which can become an indispensible springboard for future research."   ·  Scope Informationen zum Autor Christine Sprengler is an Assistant Professor in the Visual Arts Department at the University of Western Ontario. She received her Ph.D. in Film Studies from the University of London in 2004 and has published on British and American cinema. Klappentext "In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema, Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and culture, navigating a path through the key debates and aligning herself with recent attempts to recuperate its critical potential. This journey opens up the myriad permutations of nostalgia across visual and material culture and their interface with cinema, with the 1950s emerging as a privileged moment. Four case studies (Sin City, Far From Heaven, The Aviator and The Good German) analyse the ways in which aspects of visual design such as props, costume and colour contribute to the nostalgic aesthetic, allowing for both critical distance and emotion. Written with verve, style and impressive attention to detail, Screening Nostalgia is an invaluable addition to existing scholarship. It is also essential reading for anyone interested in the ways in which we access the past through cinema." · Pam Cook, Professor Emerita in Film, University of Southampton Zusammenfassung "In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema! Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and culture! navigating a path through the key debates and aligning herself with recent attempts to recuperate its critical potential. This journey opens up the myriad permutations of nostalgia across visual and material culture and their interface with cinema! with the 1950s emerging as a privileged moment. Four case studies ( Sin City ! Far From Heaven ! The Aviator and The Good German ) analyse the ways in which aspects of visual design such as props! costume and colour contribute to the nostalgic aesthetic! allowing for both critical distance and emotion. Written with verve! style and impressive attention to detail! Screening Nostalgia is an invaluable addition to existing scholarship. It is also essential reading for anyone interested in the ways in which we access the past through cinema."   ·  Pam Cook ! Professor Emerita in Film! University of Southampton Inhaltsverzeichnis List of Illustrations Acknowledgements Introduction Chapter 1. Setting the Stage: The History of Nostalgia Chapter 2. The Fifties: Nostalgia's Privileged Object and the Origins of its Dominant American Strain Chapter 3. The Nostalgia Film in Practice and Theory Chapter 4. Sin City : Reading the Tails of a...

Product details

Authors Christine Sprengler, Sprengler Christine
Publisher BERGHAHN BOOKS, INC
 
Languages English
Product format Hardback
Released 01.01.2009
 
EAN 9781845455590
ISBN 978-1-84545-559-0
No. of pages 208
Subjects Humanities, art, music > Art > Photography, film, video, TV

USA, United States of America, USA, PERFORMING ARTS / Film / History & Criticism, Film and Television Studies, Film history, theory or criticism

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