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Zusatztext The Roman Nude admirably and energetically contextualizes its enigmatic subject. Informationen zum Autor Christopher H. Hallett is Associate Professor of History of Art and Classics at the University of California at Berkeley. Klappentext Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons--the naked emperor might wield the thunderbolt of Jupiter--while Roman women assumed the guise of the nude love-goddess, Venus. When faced with these strange images, modern viewers areusually unsympathetic, finding them incongruous, even tasteless. They are mostly written off as just another example of Roman "bad taste." This book offers a new approach. Comprehensively illustrated with black and white photographs of nude Romans represented in a wide range of artistic media, it investigates how this tradition arose, and how the nudity of these images was meant to be understood by contemporary viewers. And, since theRomans also employed a variety of other costumes for their statues (toga, armor, Greek philosopher's cloak), it asks, "What could nudity express that other costumes could not?" It is Hallett's claim that--looked at in this way--these "Roman nudes" turn out to be documents of the first importance forthe cultural historian. Zusammenfassung Nude statues of Roman emperors, generals, businessmen, and their wives survive from the ancient world in large numbers. This book explores the reasons why so many Romans chose to have themselves represented naked, and what this choice may tell us about Roman attitudes towards the self, the body, and personal identity. Inhaltsverzeichnis 1: The Greek background 2: The nude portrait in Greek art 3: Attitudes towards nudity at Rome 4: The Roman adoption of the nude portrait 5: The nude portrait under the Empire 6: The nudity of the gods 7: Understanding the Roman nude
