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Informationen zum Autor Dana Luciano is Associate Professor of English and Women's & Gender Studies at Rutgers University. She is the author of Arranging Grief: Sacred Time and the Body in Nineteenth-Century America (2007), which won the 2008 MLA Prize for a First Book. She co-edited, with Ivy G. Wilson, Unsettled States: Nineteenth-Century American Literary Studies (2014), and "Queer Inhumanisms," a special issue of GLQ: A Journal of Gay and Lesbian Studies , with Mel Y. Chen (2015). Klappentext 2008 Winner, MLA First Book Prize Charting the proliferation of forms of mourning and memorial across a century increasingly concerned with their historical and temporal significance, Arranging Grief offers an innovative new view of the aesthetic, social, and political implications of emotion. Dana Luciano argues that the cultural plotting of grief provides a distinctive insight into the nineteenth-century American temporal imaginary, since grief both underwrote the social arrangements that supported the nation's standard chronologies and sponsored other ways of advancing history. Nineteenth-century appeals to grief, as Luciano demonstrates, diffused modes of "sacred time" across both religious and ostensibly secular frameworks, at once authorizing and unsettling established schemes of connection to the past and the future. Examining mourning manuals, sermons, memorial tracts, poetry, and fiction by Harriet Beecher Stowe, William Apess, James Fenimore Cooper, Catharine Maria Sedgwick, Susan Warner, Harriet E. Wilson, Herman Melville, Frances E. W. Harper, Frederick Douglass, Abraham Lincoln, Elizabeth Keckley, and Ralph Waldo Emerson, Luciano illustrates the ways that grief coupled the affective body to time. Drawing on formalist, Foucauldian, and psychoanalytic criticism, Arranging Grief shows how literary engagements with grief put forth ways of challenging deep-seated cultural assumptions about history, progress, bodies, and behaviors. Zusammenfassung Tracing the proliferation of forms of mourning and memorial across a century increasingly concerned with their historical and temporal significance! this work offers a different view of the aesthetic! social! and political implications of emotion. ...
