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Informationen zum Autor Elinor Shaffer, FBA, Senior Research Fellow, Institute of Germanic and Romance Studies, School of Advanced Study, University of London, has published on Romantic and Victorian literature, is author of 'Kubla Khan' and The Fall of Jerusalem: The Mythological School of Biblical Criticism and Secular Literature, edited the annual journal Comparative Criticism, and most recently has contributed to Samuel Butler: Victorian Against the Grain. Edoardo Zuccato is Professor of English literature at IULM University, Milan. He is a member of the Editorial Board of Comparative Critical Studies and an editor-in-chief of the journal of poetry and translation Testo a fronte . Zusammenfassung A collection of research on the European reception of Samuel Taylor Coleridge (1772-1834), the Romantic poet and author of "The Ancient Mariner". This title records how Coleridge's works have been received, translated and interpreted across Europe from his own time onwards. Inhaltsverzeichnis Series Editor's Preface: Elinor Shaffer (University of London)List of ContributorsAbbreviationsTimeline: Paul Barnaby (Walter Scott Digital Archive)Introduction: Meteoric Traces: Coleridge's Afterlife in Europe: Elinor Shaffer (University of London)1. Coleridge's English Afterlife: From De Quincey to I. A. Richards: Seamus Perry (Oxford University)2. Coleridge's Early Reception in France, from the First to the Second Empire: Michael John Kooy (University of Warwick)3. The Reception of The Rime of the Ancient Mariner through Gustave Doré's Illustrations: Gilles Soubigou (Université Paris I Panthéon-Sorbonne, France)4. The Reception of Coleridge in Germany to World War II: Frederick Burwick (UCLA)5.Coleridge's German Reception 1945 to the Present: Hans-Werner Breunig (University of Magdeburg)6. From the Spanish Exiles to the Symbolists: Coleridge's Poetry and Poetics in Nineteenth-Century Spain: Eugenia Perojo-Arronte (University of Valladolid)7. A Path for Literary Change: Poetics and Aesthetic Criticism in Twentieth-Century Spain: Eugenia Perojo-Arronte (University of Valladolid)8. The Translation of Coleridge's Poetry and his Influence on Twentieth-century Italian poetry: Edoardo Zuccato (IULM University, Milan)9.Coleridge's Aesthetic Philosophy and Critical Writings in Italy: Franco Nasi (University of Modena and Reggio Emilia)10.On the Very Late Reception of Coleridge's Writings in Portugal: Jorge Bastos da Silva (University of Oporto)11. A Spectre or an Unacknowledged Visionary? Coleridge in Czech Culture: Martin Procházka (Charles University, Prague)12, A Laker, a Friend to Poland, or a European Classic: Coleridge's Polish Reception: Monika Coghen (Jagiellonian University in Kraków)13. The Albatross in Russia: praised, shot and repented: Elena Volkova (Lomonosov Moscow State University)BibliographyIndex...
