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Scotland''s Shrine - The Scottish National War Memorial

English · Hardback

Description

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First mooted in 1917, The Scottish National War Memorial was opened by Edward, Prince of Wales, on 14th July 1927. Paid for by public subscription, this remarkable architectural and artistic achievement articulated a nation's grief. Designed by Sir Robert Lorimer, who led a team of artists and craftsmen.

List of contents

Contents: Foreword; Part One: From proposal to completion via controversy; Part Two: The artists, the building and the decoration; Epilogue; Bibliography; Index.

About the author










Duncan Macmillan is Professor Emeritus of the History of Scottish Art and former Curator of the Talbot Rice Gallery in the University of Edinburgh. Art critic of The Scotsman he is also the author of Painting in Scotland: the Golden Age (1986), Scottish Art 1460-1990 (1990, Scottish Book of the Year in 1991, enlarged edition in 2000, Scottish Art 1460-2000) and Scottish Art in the 20th Century (1994, Scottish Arts Council Book Award). He has written several monographs on Scottish and European artists and has published on Elizabeth Blackadder and F.C.B. Cadell with Lund Humphries.

Summary

First mooted in 1917, The Scottish National War Memorial was opened by Edward, Prince of Wales, on 14th July 1927. Paid for by public subscription, this remarkable architectural and artistic achievement articulated a nation's grief. Designed by Sir Robert Lorimer, who led a team of artists and craftsmen, it is one of the most ambitious and successful pieces of public art of its time. Intended to make the Memorial accessible to a wide audience, this unique and beautiful publication will give an account of its fascinating history.

The Memorial's many different art works include sculpture in bronze, wood and stone and outstanding stained glass. Highly accomplished, each element of the Memorial's design reflects how this is a monument to peace not just to war. Tracing the Memorial's eventful history from its genesis through to its construction and its eventual opening, Duncan Macmillan discusses all aspects of the Memorial from its design to the individual artists that contributed to its creation. Including contextual links to other similar projects, this publication will provide the definitive account of this significant public monument, which continues to commemorate Scottish casualities of war.

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