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Informationen zum Autor Stephen Zepke is an independent researcher living in Vienna. He has published numerous essays on philosophy, art and cinema. He is the author of Art as Abstract Machine, Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005), and co-editor with Simon O'Sullivan of Deleuze and Contemporary Art (Edinburgh University Press, 2010) and Deleuze, Guattari and the Production of the New (Bloomsbury Academic, 2008). Klappentext Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-François Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Rancière and the recent Speculative Realism movement. Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-Francois Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Ranciere and the recent Speculative Realism movement. Inhaltsverzeichnis AcknowledgementsAbbreviationsIntroduction. Exiled from oneself: Art and Other Strange Migrations...1. 'Contempt for the world': Kant's Aesthetics and the Sublime 2. 'A stranger to consciousness...': Lyotard and the Sublime3. 'My whole structure of perception is in the process of exploding': Deleuze and Guattari and the Sublime 4. Framing the Abyss: the Deconstruction of the Sublime5. For those who disagree: Rancière and the SublimePostscript: 'Art after experience': Speculative Realism and the SublimeReferences
